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Star Wars VI: Return of the Jedi – Battle of Endor (Space Battles)

diciembre 20, 2017 Diego

La batalla de Endor es una batalla ficticia que tiene lugar en el episodio VI de la saga Star Wars (Return of the Jedi). Fue el último y el mayor…

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Star Wars: Bounty Hunter cinemáticas del juego

diciembre 20, 2017 Diego

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Darth Maul & Savage Opress VS Darth Sidious on Mandalore

diciembre 18, 2017 Diego

Darth Maul & Savage Opress VS Darth Sidious on Mandalore El Duelo en Sundari o Duelo en Mandalore fue un combate de sables de luz que tuvo lugar en el…

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Star Wars Shadows of the Empire Cinematics

diciembre 18, 2017 Diego

Toda la historia de Star Wars Shadows of the Empire para PC.

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Top Ten Star Wars Games

diciembre 18, 2017 Diego

Listado de los. Mejores juegos de Star Wars para PC y consolas.

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diciembre 18, 2017 Diego

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Ian McDiarmid Becoming Palpatine

diciembre 18, 2017 Diego

Webisode del excelente actor Britanico Ian McDiarmid en su personaje de Palpatine en Star Wars Revenge of the Sith.

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Ewan McGregor Obi-Wan Kenobi (Revenge of the Sith).

diciembre 18, 2017 Diego

Ewan McGregor como Obi-Wan Kenobi Webisode en Star Wars Revenge of the Sith.

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La Guerra de las Galaxias, La magia y el Misterio.

diciembre 18, 2017 Diego

Documental doblado al español de Star Wars, the magic and the mystery.

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Vídeo de YouTube VVV2czhnMktCLVo0dG82aHFBSk8xME1BLmdFY2gzRElvX2Fr Serving as the capital of the galaxy since the ancient days of the old Galactic Republic, Coruscant was at the center of many historic events, such as the Jedi Order's conflict with the Sith. Although the planet fell under Sith control for a time, Republic forces ultimately liberated Coruscant with the aid of the Jedi Knights. Their victory was so decisive that at one point the Sith became all but extinct, replacing an age of darkness and strife with the democratic rule of the modern Galactic Republic.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Serving as the capital of the galaxy since the ancient days of the old Galactic Republic, Coruscant was at the center of many historic events, such as the Jedi Order's conflict with the Sith. Although the planet fell under Sith control for a time, Republic forces ultimately liberated Coruscant with the aid of the Jedi Knights. Their victory was so decisive that at one point the Sith became all but extinct, replacing an age of darkness and strife with the democratic rule of the modern Galactic Republic.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Coruscant Scenes from Episode II Attack of the Clones
George Lucas is an American filmmaker and philanthropist. He created the Star Wars franchise and its fictional universe, the Indiana Jones franchise, and founded Lucasfilm, LucasArts, Industrial Light & Magic and THX. Nominated for four Academy Awards, he is considered to be one of the most significant figures of the 20th-century New Hollywood movement, and a pioneer of the modern blockbuster. Despite this, he has remained an independent filmmaker for most of his career.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - George Lucas Interview
Coruscant, also known as Jewel of the Core Worlds, or Imperial Center during the rule of the Galactic Empire, was an ecumenopolis—a city-covered planet, in the Coruscant system of the Core Worlds. Prior to being covered by over five thousand metallic levels of what would become known as Imperial City, Coruscant was the ancient homeworld of the Taung and Zhell species.  Coruscant's population consisted of trillions of citizens hailing from a vast array of both humanoid and alien species. In addition, Coruscant's strategic location at the end of several major trade routes enabled it to grow in power and influence, causing the city-planet to surpass its early rivals and become the hub of galactic culture, education, finance, fine arts, politics and technology. It was the location of several major landmarks, including the Jedi Temple, Monument Plaza, and the Senate Building.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Coruscant Artwork
Qui-Gon Jinn, a Force-sensitive human male, was a venerable if maverick Jedi Master who lived during the last years of the Republic Era. He was a wise and well-respected member of the Jedi Order, and was offered a seat on the Jedi Council, but chose to reject and follow his own path. Adhering to a philosophy centered around the Living Force, Jinn strove to follow the will of the Force even when his actions conflicted with the wishes of the High Council. After encountering Anakin Skywalker, Jinn brought him to the Jedi Temple on Coruscant, convinced he had found the Chosen One. His dying wish was for Skywalker to become a Jedi and ultimately restore balance to the Force.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Liam Neeson as Qui-Gon Jinn
Tatooine first appeared in the 1977 film Star Wars: Episode IV A New Hope, the first installment of the Star Wars original trilogy.[12] It then went to appear in the 1983 film Star Wars: Episode VI Return of the Jedi and in all three films of the prequel trilogy. The planet wasn't actually named in Episode IV, though director George Lucas had called it Utapau in all but the film's first draft only to rename it in the fourth draft after the movie's desert location Tataouine (French spelling) in Tunisia (see also Tunisia for other Tunisian-inspired names).

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Creating Tatooine
Naboo was a bountiful planet in the Chommell sector of the Mid Rim, in the Trailing Sectors and close to the border of the Outer Rim Territories. It was home to the indigenous Gungan species and to a population of humans known as the Naboo. Naboo was pushed to the forefront of galactic politics as the birthplace of the Dark Lord of the Sith Sheev Palpatine, who served as its representative in the Senate of the Galactic Republic.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Planet Naboo VFX
Tatooine was a sparsely inhabited circumbinary desert planet located in the galaxy's Outer Rim Territories. Part of a binary star system, the planet orbited two scorching suns, resulting in the world lacking the necessary surface water to sustain large populations. As a result, many residents of the planet instead drew water from the atmosphere via moisture farms. The planet also had little surface vegetation. It was the homeworld to the native Jawa and Tusken Raider species and of Anakin and Luke Skywalker, who would go on to shape galactic history.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Planet Tatooine Behind the Scenes (The Phantom Menace)
Star Wars: Episode III – Revenge of the Sith (2005) is renowned for its groundbreaking use of CGI, marking a pinnacle of digital visual effects in the prequel trilogy. Produced by Industrial Light & Magic (ILM), the film features a record-breaking 2,151 special effects shots, many heavily CGI-driven, including massive space battles, alien planets, and character animations. It blended CGI with practical effects and miniatures, pushing boundaries in scale—with nearly 800 CGI characters and 50 fully digital environments.

Key CGI highlights include:

The epic opening space battle over Coruscant, a fully digital sequence praised for its detail and dynamism.
The Mustafar lightsaber duel between Obi-Wan and Anakin, combining practical stunt work with extensive CGI lava flows, platforms, and environments (inspired by real footage from Mount Etna).
Improved digital Yoda and the cyborg General Grievous.
Subtle integrations, like a fully CGI Anakin Skywalker in the overhead shot of him marching into the Jedi Temple with clone troopers—his billowing cloak was a cloth simulation breakthrough at the time.

Many fans and critics note a significant improvement in CGI quality over Attack of the Clones (2002), with effects holding up remarkably well even 20 years later, often outperforming contemporaries due to clever lighting, composition, and integration with practical elements.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Revenge of the Sith VFX
Mustafar was a young rocky planet within the eponymous system of the Atravis sector, in the Outer Rim Territories. It was a small world situated in grid square L-19 of the Standard Galactic Grid, and it lay on the Tosste Spur trade route, off the Rimma Trade Route. A part of the Western Reaches, Mustafar was located 53,000 light-years from the galaxy's Core.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Planet Mustafar (Revenge of the Sith)
Utapau was a remote, subterranean planet located deep in the Utapau system of the Tarabba sector in the Outer Rim Territories. Largely isolated from the wider galaxy, the planet was an ancient and windswept celestial body that was dotted by deep sinkholes, with societal organizations co-existing with its abundant animal and plant life, in a state reversed of that to other planets. 

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Planet Utapau (Revenge of the Sith)
Revenge of the Sith is set three years after the onset of the Clone Wars, as established in Attack of the Clones, which depicts the rise of Darth Sidious and the Galactic Empire as well as Anakin Skywalker turning to the dark side of the Force, which will have wide-ranging consequences in the galaxy that lead to the extermination of the Jedi.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Revenge of the Sith Artwork
Star Wars: Episode III – Revenge of the Sith (2005) pushed visual effects to new heights, primarily through Industrial Light & Magic (ILM). It featured groundbreaking CGI blended with practical elements, setting benchmarks for scale and complexity.

Key VFX Facts and Statistics:

The film contains approximately 2,151–2,200 VFX shots, a record at release (and among the highest for any Star Wars film). Of these, around 1,269 were fully animated.
It includes nearly 800 CGI characters and 50 fully digital 3D environments—more than many animated features.
The iconic Mustafar lightsaber duel between Obi-Wan and Anakin required 910 artists and 70,441 man-hours for just 49 seconds of footage.
A massive practical miniature of Mustafar measured 33 feet long, 18 feet wide, and 7 feet high—the largest scale model built for a film at the time. ILM combined it with CGI lava, digital characters, and green-screen performances.
Extensive green-screen work dominated, with actors like Ewan McGregor and Hayden Christensen performing against bluescreens for most action sequences.

The opening space battle over Coruscant, the Kashyyyk Wookiee fight, the Utapau chase with General Grievous, and improved Yoda animation stand out as highlights. ILM's work influenced modern VFX by emphasizing hybrid practical-digital approaches.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives- Episodes I, II, III - Revenge of the Sith VFX Special Effects
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    • Episode I – The Phantom Menace (La Amenaza Fantasma)
    • Episode II – Attack of the Clones (El Ataque de los Clones)
    • Episode III – Revenge of the Sith (La Venganza de los Sith)
    • Episode IV – A New Hope (Una Nueva Esperanza)
    • Episode V – The Empire Strikes Back (El Imperio Contraataca)
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