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Star Wars Fact File 030 (De Agostini) (2002)

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Star Wars Fact File 030 (De Agostini) (2002)

Diego marzo 25, 2023 1 minute read

Star Wars Fact File

The Official Star Wars Fact File 30 was the thirtieth issue of The Official Star Wars Fact File, released on July 24, 2002.

Star Wars Fact File

Star Wars Fact File

Star Wars Fact File

Star Wars Fact File

Star Wars Fact File

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Star Wars Fact File #80 #starwars #starwarsfan #s

Star Wars Fact File #80

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #80 #starwars #starwarsfan #s

Star Wars Fact File #80

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #80 #starwars #starwarsfan #s

Star Wars Fact File #80

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #80 #starwars #starwarsfan #s

Star Wars Fact File #80

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #80 #starwars #starwarsfan #s

Star Wars Fact File #80

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #80 #starwars #starwarsfan #s

Star Wars Fact File #80

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #80 #starwars #starwarsfan #s

Star Wars Fact File #80

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #80 #starwars #starwarsfan #s

Star Wars Fact File #80

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

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Star Wars Saga LatinAmerica

Vídeo de YouTube VVV2czhnMktCLVo0dG82aHFBSk8xME1BLmU3LXVjdHVnazkw

Tatooine is a harsh, binary-sun desert planet with two key locations that dominate these films:

-Mos Espa (the larger, more bustling spaceport town)
-Mos Eisley (smaller, seedier spaceport from the original trilogy, but less central in Ep I/II)
-Lars Homestead (Anakin & Shmi’s home, later Luke’s)
- Watto’s shop and the podracing arena.

Visual Style of Tatooine (Ep I & II)

Color palette: Hot oranges, yellows, deep browns, and blinding whites from the twin suns (Tatoo I and Tatoo II). Everything looks sun-bleached and dusty.

Architecture: Dome-shaped buildings, thick adobe/mud-brick walls, minimal windows to keep heat out, wind-sculpted curves, underground or semi-subterranean structures.

Atmosphere: Extremely bright daylight with harsh shadows, heat haze, constant wind-blown sand, distant binary sunset views.

Details: Rusty droids, junk piles, moisture vaporators, banthas, dewbacks, Tusken Raiders in the distance, scavenger Jawas.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Tatooine is a harsh, binary-sun desert planet with two key locations that dominate these films:

-Mos Espa (the larger, more bustling spaceport town)
-Mos Eisley (smaller, seedier spaceport from the original trilogy, but less central in Ep I/II)
-Lars Homestead (Anakin & Shmi’s home, later Luke’s)
- Watto’s shop and the podracing arena.

Visual Style of Tatooine (Ep I & II)

Color palette: Hot oranges, yellows, deep browns, and blinding whites from the twin suns (Tatoo I and Tatoo II). Everything looks sun-bleached and dusty.

Architecture: Dome-shaped buildings, thick adobe/mud-brick walls, minimal windows to keep heat out, wind-sculpted curves, underground or semi-subterranean structures.

Atmosphere: Extremely bright daylight with harsh shadows, heat haze, constant wind-blown sand, distant binary sunset views.

Details: Rusty droids, junk piles, moisture vaporators, banthas, dewbacks, Tusken Raiders in the distance, scavenger Jawas.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

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https://paypal.me/starwarslatinamerica

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Star Wars Archives Episodes I, II, III - Tatooine Locations (Episode II Attack of the Clones)

Felucia is a vibrant, humid jungle planet in the Outer Rim, dominated by massive fungal forests, enormous primitive plants, and bizarre flora. Its landscape features towering, colorful mushrooms and translucent life-forms that filter sunlight into a surreal, psychedelic glow. Many plants act like giant cellophane flowers—yellow, green, blue, and pink hues dominate the hazy canopies of pitcher plants and leafy growths. Beneath it all lies a fetid, color-drenched expanse teeming with life, including dangerous creatures like jungle rancors.

The planet appears briefly during the Order 66 montage: Jedi Master Aayla Secura leads clone troopers through the dense jungle when her troops suddenly turn on her, executing the order. The scene emphasizes the planet's alien beauty contrasting with the sudden betrayal.

Iconic Elements from Felucia in Episode III

The Jungle Ambush Scene: Aayla Secura (blue Twi'lek Jedi) stands out beautifully against the neon flora as the clones raise their blasters.
Atmosphere: Heavy humidity, filtered light, and an overwhelming sense of alien wilderness.
Fauna/Flora: Massive pitcher plants, glowing translucent fungi, carnivorous-looking growths, and the distant roars of jungle rancors.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating Felucia (Episode III - Revenge of the Sith)

The Geonosis Arena is one of the most iconic environments in the Star Wars: Episode II – Attack of the Clones, serving as the setting for the large-scale battle where the Jedi confront the Separatists. Its creation combined practical sets, digital environments, and creature effects.

Concept and Design

The arena was designed as a massive, ancient execution coliseum on the planet Geonosis. The visual style draws inspiration from real-world Roman arenas but with alien architecture—jagged stone, towering pillars, and a harsh desert tone.

Early concept art emphasized scale and isolation
The arena needed to hold thousands of alien spectators
It was designed to feel both ceremonial and brutal

Set Construction

A partial physical set was built at Fox Studios Australia:

The execution platform and surrounding columns were practical
Actors performed within a limited physical space
Most of the arena (including upper tiers and crowd) was added digitally

This hybrid approach allowed realistic interaction while maintaining epic scale.

Digital Environment (CGI)

The full arena was extended using CGI by Industrial Light & Magic:

Massive crowd of Geonosians generated digitally
Arena walls, sky, and distant structures were fully CGI
Dynamic camera movements enhanced the sense of scale

This was one of the early 2000s’ most complex digital crowd simulations.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating Geonosis Arena (Episode II - Attack of the Clones)

Star Wars: Episode I – The Phantom Menace showcases a wide range of creatures to highlight the diversity of the galaxy across different planets.

On Naboo, amphibious beings like the Gungans (including Jar Jar Binks) and large underwater predators (Opee Sea Killer, Sando Aqua Monster) illustrate a layered ecosystem where bigger creatures dominate smaller ones.
On Tatooine, desert-adapted animals such as Banthas and Eopies coexist with dangerous predators, reflecting a harsh survival environment. Characters like Watto and Sebulba add to the planet’s alien diversity.
On Coruscant, numerous alien species appear in the Galactic Senate, emphasizing political and cultural diversity across the galaxy.

Overall, the film uses creatures to reinforce world-building: each planet has its own ecosystem, species, and visual identity, contributing to the sense of a vast and varied universe.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating The Creatures (Episode I - The Phantom Menace)

Star Wars Archives Episodes I, II, III - Creating Chewbacca (Episode III - Revenge of the Sith)

Darth Vader's mask and helmet in Episode III: Revenge of the Sith mark the dramatic birth of the Sith Lord. This occurs in the final scenes when the severely burned and limbless Anakin Skywalker is reconstructed in a medical facility on Mustafar/Coruscant. The moment the helmet is lowered and sealed onto him—with the iconic first mechanical breath—symbolizes the death of Anakin and the rise of Vader.

Key Design Features
The Revenge of the Sith version of the helmet was specially created for the prequel. Unlike the asymmetrical Original Trilogy helmets (sculpted by Brian Muir for A New Hope), this one is perfectly symmetrical—a deliberate choice enabled by modern digital scanning and mirroring techniques.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Darth Vader's Mask (Episode III - Revenge of the Sith)

Here's the iconic creation of Darth Vader from Star Wars: Episode III - Revenge of the Sith (2005).

After his devastating defeat on Mustafar—where Obi-Wan Kenobi severs his remaining limbs and leaves him burning in the lava flows— a critically injured Anakin Skywalker is rescued by Darth Sidious (Palpatine). What follows is one of the most memorable and tragic sequences in the saga: Anakin's transformation into the armored Sith Lord we know as Darth Vader.

The Scene in Brief
Anakin lies charred and broken on an operating table in a sterile surgical suite on Coruscant. Medical droids and cybernetic surgeons work frantically under Sidious's supervision to save his life. They replace his severed limbs with mechanical prosthetics, graft life-support systems into his ravaged body, and encase him in a black, imposing suit designed to sustain him while channeling his pain and rage.

The process is agonizing. As the final piece—the iconic black helmet—is lowered and sealed onto his head, the mechanical breathing begins with that unmistakable hiss... whoosh. The table rises, and the newly born Darth Vader stands tall for the first time, towering and menacing.

In a moment of raw emotion, Vader asks about Padmé. Sidious lies to him, claiming Vader killed her in anger. This final betrayal shatters what remains of Anakin, unleashing a Force scream of despair ("Noooo!") that destroys the surrounding equipment. The Emperor watches with satisfaction as his new apprentice fully embraces the dark side.

This sequence intercuts powerfully with Padmé giving birth to Luke and Leia on Polis Massa, symbolizing life and death happening simultaneously.

Behind the Scenes
Hayden Christensen (who played Anakin) insisted on wearing the full Vader suit himself for the final moments of the scene, even though a stunt performer could have done it. Producer Rick McCallum noted that hundreds of people gathered on set to witness it.

The suit design built on the classic look from the original trilogy but was tailored to show the "birth" of the armor—glossy and new at first, with visible mechanical elements. The helmet-lowering moment was meticulously choreographed, with practical effects, prosthetics, and sound design (including James Earl Jones returning to voice Vader's first lines in the suit).

The emotional weight comes from John Williams' score, the sound of the respirator, and the tragic irony: Anakin's quest to save Padmé from death directly leads to his own monstrous rebirth.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating Darth Vader (Episode III - Revenge of the Sith)

The Nexu (often called the "nexu attack" in Star Wars: Episode II - Attack of the Clones) is the agile, cat-like predator unleashed in the Petranaki Arena on Geonosis during the attempted execution of Obi-Wan Kenobi, Anakin Skywalker, and Padmé Amidala.

What is the Nexu?
It's a fierce, four-legged carnivore native to various Star Wars planets, known for its:

Sleek, feline body mixed with reptilian and other traits (broad face, huge tooth-filled maw, quill-like spines along its back, powerful claws, and excellent climbing ability).

Design inspiration: Early concepts were more lion-like, but the final version blended tiger, sloth, lizard, and spider elements. The ILM team nicknamed the one in the movie "Bad Kitty".

In the arena battle, the Geonosians release three beasts to execute the prisoners:

Acklay (the tall, crab-like walker that fights Obi-Wan).
Reek (the rhinoceros-like brute that Anakin later tames and rides).
Nexu (the fast climber that targets Padmé).

The Famous Nexu Attack Scene
Padmé is chained to a pillar. The nexu spots her, leaps up the column with terrifying speed, and slashes at her. It rips open the back of her outfit (leaving three bloody gashes across her back and arm) before she kicks it off.

Anakin, having broken free and mounted the reek, charges in and rams the nexu, killing it and saving Padmé. This moment is iconic for its intense action, practical effects mixed with CGI, and the "fanservice" element of Padmé's torn top.
The whole sequence is part of the larger Geonosis arena battle that kicks off the Clone Wars, with Jedi arriving to rescue them and the clone army deploying en masse.
Fun Facts

The nexu later appears or is referenced in The Clone Wars, The Bad Batch, comics, and novels.
Hasbro made several action figures of it (including ones with snapping jaws) tied to Attack of the Clones.
Fans often rank the nexu, acklay, and reek among the coolest creature designs in the prequels.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating The Nexu beast (Episode II - Attack of the Clones)

The Geonosians are the insectoid, hive-minded species native to the harsh, rocky planet Geonosis in Star Wars: Episode II – Attack of the Clones.
They play a key antagonistic role in the film as allies of Count Dooku and the emerging Separatist movement (Confederacy of Independent Systems). Here's a breakdown of their involvement:

Who Are the Geonosians?

Winged, semi-insectoid beings that live in massive spire-like hive colonies carved into the red rock of Geonosis.
They are brilliant engineers and manufacturers, specializing in droid production. Their factories on Geonosis built much of the Separatist droid army (B1 battle droids, super battle droids, etc.).
Society is caste-based and hive-minded, led by figures like Archduke Poggle the Lesser.
They use sonic blasters and have a gladiatorial culture centered around arenas like the Petranaki Arena.

Their Role in Attack of the Clones
The story kicks off when Obi-Wan Kenobi tracks bounty hunter Jango Fett to Geonosis. He discovers a secret meeting where Dooku and Separatist leaders (including Geonosian representatives) are plotting against the Republic. The Geonosians are providing their massive droid foundries to mass-produce the Separatist army.
Obi-Wan gets captured, followed by Anakin Skywalker and Padmé Amidala attempting a rescue. All three are sentenced to public execution in the Petranaki Arena.

Arena sequence: The Geonosians release three vicious beasts (a Reek, an Acklay, and a Nexu) to kill the prisoners. Anakin, Padmé, and Obi-Wan fight them off spectacularly. Then Mace Windu leads a Jedi strike team into the arena for a rescue.
Geonosian guards and spectators watch the chaos, and when the Jedi start winning, the Geonosians (under Dooku's orders) release waves of battle droids into the arena.
This escalates into the full First Battle of Geonosis — the opening clash of the Clone Wars. Republic clone troopers arrive in gunships, and a massive ground battle erupts between clones/Jedi vs. droids/Geonosians.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating The Geonosians (Episode II - Attack of the Clones)

The Tusken family (more accurately called Tusken clans or tribes) refers to the social structure of the Tusken Raiders (also known as Sand People or Tuskens) from the Star Wars universe. They are a nomadic, indigenous species native to the harsh desert planet Tatooine.
Key Facts About Tusken Social Structure

Clans vs. Tribes: A typical Tusken clan is a small immediate family group of about 20–30 individuals. Multiple clans form larger tribes, which can vary widely in size. Tribes are led by a chieftain and emphasize survival, discipline, and contribution from every member.

Family Roles:
Males traditionally serve as warriors and hunters.
Females handle non-combat tasks essential to tribal life.
Children (called Uli-ah) start training young, learning to use the iconic gaffi stick (a traditional weapon) and other survival skills.

Coming of Age: To become a full adult in the tribe, young Tuskens must complete a rite of passage—usually slaying a krayt dragon and retrieving its pearl. This marks their transition into adult roles within the family/clan.

Tuskens are fiercely protective of their territory and water rights on Tatooine. They are often portrayed as hostile to outsiders (settlers, moisture farmers, etc.), which leads to raids and conflicts. However, later Star Wars stories (especially in The Mandalorian and The Book of Boba Fett) give them more depth, showing them as a complex culture with traditions, loyalty, and even the capacity to adopt outsiders.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - The Tusken Family (Episode II - Attack of the Clones).

In Star Wars: Episode I - The Phantom Menace (1999), C-3PO (often called "Threepio" or "See-Threepio") is revealed to have been built by a young Anakin Skywalker on the desert planet of Tatooine.

Key Details from the Movie

Anakin, a 9-year-old slave boy living in Mos Espa and working for the junk dealer Watto, secretly assembled C-3PO from scrap parts he collected (mostly from Watto's junkyard).

Anakin built the protocol droid to help his mother, Shmi Skywalker, with household tasks around their modest slave quarters.

In the film, C-3PO appears unfinished and "naked" — without his signature gold outer plating. His internal wiring, gears, and mechanical parts are fully visible, giving him a skeletal, exposed look.

Anakin introduces the droid to visitors (including Padmé Amidala and the astromech droid R2-D2) with the line something like: "I'm building a droid... 3PO!" He proudly shows off his creation, and R2-D2 humorously notes that C-3PO's "parts are showing."

C-3PO helps Anakin with his podracer (as part of the pit crew) during the Boonta Eve Classic race.

When Anakin leaves Tatooine at the end of the film (freed by Qui-Gon Jinn to begin Jedi training), he leaves the still-unfinished C-3PO behind with his mother.

Why Did Anakin Build a Protocol Droid?
Anakin was a mechanical prodigy with a strong affinity for the Force. He dreamed of freedom and exploring the galaxy someday. By programming C-3PO with knowledge of over six million forms of communication, he envisioned the droid as a helpful companion who could one day allow him and his mother to travel and communicate anywhere in the galaxy. It was both a practical project (to assist Shmi) and an expression of his hopes for a better life.

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Star Wars Archives Episodes I, II, III - Creating C3P0 (Episode I - The Phantom Menace).

The pig-like creature from Naboo seen in Attack of the Clones is the shaak, a non-sentient, herbivorous species native to Naboo's grasslands.

Designed by Terryl Whitlatch for The Phantom Menace, shaaks are bulbous, four-legged mammals with brown leathery skin and weak legs relative to their plump bodies. They appear briefly in both The Phantom Menace and Attack of the Clones, and were intended to resemble grazers bred for food, akin to sheep in Naboo society.

Though gentle and slow-moving, shaaks can buck wildly if improperly ridden. They are unable to swim and are vulnerable to the Blue Shadow Virus, which turns them purple and kills them instantly

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating The Shaak (Episode II - Attack of the Clones).

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