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Star Wars: Tales of the Jedi – The Sith War Issue #5

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Star Wars: Tales of the Jedi – The Sith War Issue #5

Diego abril 24, 2019 1 minute read

Star Wars: Tales of the Jedi - The Sith War

The Mandalorians are recruited by the Sith, which leads to an all-out attack on Coruscant.

Star Wars: Tales of the Jedi - The Sith War

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Anterior: Star Wars Episode IX MAJOR Scene Details and Character Return! (SPOILERS)

Siguiente: Star Wars: Tales of the Jedi – The Sith War Issue #6

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Star Wars Fact File #82 #starwars #starwarsfan #s

Star Wars Fact File #82

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #82 #starwars #starwarsfan #s

Star Wars Fact File #82

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #82 #starwars #starwarsfan #s

Star Wars Fact File #82

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #82 #starwars #starwarsfan #s

Star Wars Fact File #82

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #82 #starwars #starwarsfan #s

Star Wars Fact File #82

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #81 #starwars #starwarsfan #s

Star Wars Fact File #81

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #81 #starwars #starwarsfan #s

Star Wars Fact File #81

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #81 #starwars #starwarsfan #s

Star Wars Fact File #81

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

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Vídeo de YouTube VVV2czhnMktCLVo0dG82aHFBSk8xME1BLlltMUNvdEhibVJv

"Becoming Obi-Wan" is a behind-the-scenes web documentary/featurette from the production of Star Wars: Episode III – Revenge of the Sith (2005).
It focuses on Ewan McGregor stepping into (and evolving) the role of Obi-Wan Kenobi for the final prequel film.

What it's about

How McGregor prepared to portray a more mature, battle-hardened Obi-Wan (bridging the younger version from The Phantom Menace/Attack of the Clones toward the Alec Guinness version in the original trilogy).
Training, lightsaber work, character development, working with George Lucas, and the physical/acting challenges of the role.
Insights from McGregor, Lucas, producer Rick McCallum, and others on set.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Becoming Obi-Wan" is a behind-the-scenes web documentary/featurette from the production of Star Wars: Episode III – Revenge of the Sith (2005).
It focuses on Ewan McGregor stepping into (and evolving) the role of Obi-Wan Kenobi for the final prequel film.

What it's about

How McGregor prepared to portray a more mature, battle-hardened Obi-Wan (bridging the younger version from The Phantom Menace/Attack of the Clones toward the Alec Guinness version in the original trilogy).
Training, lightsaber work, character development, working with George Lucas, and the physical/acting challenges of the role.
Insights from McGregor, Lucas, producer Rick McCallum, and others on set.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

If you like to Donate:
https://paypal.me/starwarslatinamerica

Visit https://starwarslatinamerica.com for more !

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Becoming Obi-Wan - (Revenge of the Sith Documentary)

The "Pickups and Reshoots" webisode/featurette from the Star Wars: Episode III – Revenge of the Sith (2005) making-of materials.

It's one of the official short documentaries (webisodes) produced during/around the film's release, available on the Revenge of the Sith extras.

It covers how additional photography (pickups) and reshoots refined the story after principal photography, a common but crucial part of big-budget filmmaking—especially for George Lucas's prequels with their heavy VFX and evolving edits.

Key Context:

Principal photography for Episode III wrapped after a main shoot in Australia (and other locations), but Lucas planned for additional shooting to fill gaps, improve action, adjust pacing, and respond to the story as it came together in the edit.
Pickups often involved Ewan McGregor, Hayden Christensen, and other actors returning for targeted scenes, inserts, or enhancements to fight choreography and key dramatic moments.
This process helped "pave the way to a great film" by allowing flexibility in a production that mixed practical effects, extensive CGI (e.g., Mustafar, Order 66 sequences), and a complex narrative wrapping up the prequel trilogy.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Pickups and Reshoots - Paving the way to a great film (Revenge of the Sith Documentary)

Star Wars The Force Unleashed Ultimate Sith Edition

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Star Wars The Force Unleashed Ultimate Sith Edition

Star Wars Saga LatinAmerica Live Stream

Star Wars: The Force Unleashed - Ultimate Sith Edition is the complete, definitive version of the 2008 action-adventure game developed by LucasArts. It was released on November 3, 2009 (North America), for Xbox 360, PlayStation 3, PC (Windows), and later Mac.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars The Force Unleashed Ultimate Sith Edition gameplay.

It's a short making-of/featurette focused on Anthony Daniels and the final chapter of C-3PO’s journey in the prequels.
It covers how they brought the character to life in Revenge of the Sith, including the suit, performance, and tying the prequels back to the original trilogy.
Part of the “Making Episode III” series of webdocs that were included on the DVD.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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C-3PO: His Moment to Shine (Revenge of the Sith Documentary)

Star Wars: Rebel Assault II: The Hidden Empire (1995 rail shooter by LucasArts) has Chapter 1: The Dreighton Triangle and Chapter 2: The Corellia Star as its opening missions.

Chapter 1: The Dreighton Triangle

Ship: B-wing starfighter.
Objective: Patrol near the Dreighton Nebula (a mysterious region with rumors of "ghost ships" and disappearances) and respond to a distress call.
Gameplay: On-rails space combat. You fly toward a planet while engaging waves of TIE fighters. The B-wing's triple lasers converge on your targeting reticle, making it fairly easy to destroy incoming enemies.

Story: Rookie One and wingman Kirby investigate missing Rebel ships. They receive a distress call from the YT-1300 transport Corellia Star, which carries critical intelligence about an Imperial secret project. After fighting TIEs, an unseen attacker (a cloaked TIE Phantom) destroys Kirby's ship. Rookie One's B-wing is damaged and crashes on the planet Dreighton.

Chapter 2: The Corellia Star

Style: On-foot third-person shooting sequence (rail-style, with limited movement control).
Objective: After the crash, Rookie One must reach the captured Corellia Star on the surface, deal with Imperial forces, and escape with the vital data.
Gameplay: You control Rookie One's firing and ducking/cover actions as he advances. Stormtroopers appear from various directions and positions—knowing their spawn points helps a lot. It can feel tricky on the first playthrough due to the timing and limited control.
Story: Rookie One fights through enemies to board or secure the Corellia Star. The transport's pilot had information about the Empire's new stealth TIE Phantom project (cloaking devices). This leads into the broader plot involving Darth Vader's secret weapon development.

These two chapters set up the game's main conflict: the Empire's development of cloaked TIE Phantoms. The game features full-motion video (FMV) cutscenes with live actors, on-rails shooting in space and on foot, and later missions with different ships like X-wings and Y-wings.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: Rebel Assault II: The Hidden Empire (1995) Chapters I and II Cutscenes

Star Wars: Rebel Assault II: The Hidden Empire is a 1995 rail shooter video game developed and published by LucasArts. It's the sequel to the 1993 game Star Wars: Rebel Assault.

Gameplay
You fly various ships like the YT-1300 transport (Millennium Falcon-style), B-wing, Y-wing, and more across 15 missions mixing space combat, ground/sky runs, and on-foot sections. It emphasizes arcade-style shooting with a Star Wars flavor—dogfighting TIE fighters (including Interceptors), dodging asteroids, attacking capital ships, and more. It uses full-motion video heavily for cinematics and some gameplay segments, with a John Williams-inspired soundtrack and Skywalker Sound effects.
Improvements over the first game included better controls, more variety, and higher production values.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: Rebel Assault II: The Hidden Empire (1995) Intro

Tatooine is a harsh, binary-sun desert planet with two key locations that dominate these films:

-Mos Espa (the larger, more bustling spaceport town)
-Mos Eisley (smaller, seedier spaceport from the original trilogy, but less central in Ep I/II)
-Lars Homestead (Anakin & Shmi’s home, later Luke’s)
- Watto’s shop and the podracing arena.

Visual Style of Tatooine (Ep I & II)

Color palette: Hot oranges, yellows, deep browns, and blinding whites from the twin suns (Tatoo I and Tatoo II). Everything looks sun-bleached and dusty.

Architecture: Dome-shaped buildings, thick adobe/mud-brick walls, minimal windows to keep heat out, wind-sculpted curves, underground or semi-subterranean structures.

Atmosphere: Extremely bright daylight with harsh shadows, heat haze, constant wind-blown sand, distant binary sunset views.

Details: Rusty droids, junk piles, moisture vaporators, banthas, dewbacks, Tusken Raiders in the distance, scavenger Jawas.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Tatooine Locations (Episode II Attack of the Clones)

Felucia is a vibrant, humid jungle planet in the Outer Rim, dominated by massive fungal forests, enormous primitive plants, and bizarre flora. Its landscape features towering, colorful mushrooms and translucent life-forms that filter sunlight into a surreal, psychedelic glow. Many plants act like giant cellophane flowers—yellow, green, blue, and pink hues dominate the hazy canopies of pitcher plants and leafy growths. Beneath it all lies a fetid, color-drenched expanse teeming with life, including dangerous creatures like jungle rancors.

The planet appears briefly during the Order 66 montage: Jedi Master Aayla Secura leads clone troopers through the dense jungle when her troops suddenly turn on her, executing the order. The scene emphasizes the planet's alien beauty contrasting with the sudden betrayal.

Iconic Elements from Felucia in Episode III

The Jungle Ambush Scene: Aayla Secura (blue Twi'lek Jedi) stands out beautifully against the neon flora as the clones raise their blasters.
Atmosphere: Heavy humidity, filtered light, and an overwhelming sense of alien wilderness.
Fauna/Flora: Massive pitcher plants, glowing translucent fungi, carnivorous-looking growths, and the distant roars of jungle rancors.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating Felucia (Episode III - Revenge of the Sith)

The Geonosis Arena is one of the most iconic environments in the Star Wars: Episode II – Attack of the Clones, serving as the setting for the large-scale battle where the Jedi confront the Separatists. Its creation combined practical sets, digital environments, and creature effects.

Concept and Design

The arena was designed as a massive, ancient execution coliseum on the planet Geonosis. The visual style draws inspiration from real-world Roman arenas but with alien architecture—jagged stone, towering pillars, and a harsh desert tone.

Early concept art emphasized scale and isolation
The arena needed to hold thousands of alien spectators
It was designed to feel both ceremonial and brutal

Set Construction

A partial physical set was built at Fox Studios Australia:

The execution platform and surrounding columns were practical
Actors performed within a limited physical space
Most of the arena (including upper tiers and crowd) was added digitally

This hybrid approach allowed realistic interaction while maintaining epic scale.

Digital Environment (CGI)

The full arena was extended using CGI by Industrial Light & Magic:

Massive crowd of Geonosians generated digitally
Arena walls, sky, and distant structures were fully CGI
Dynamic camera movements enhanced the sense of scale

This was one of the early 2000s’ most complex digital crowd simulations.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating Geonosis Arena (Episode II - Attack of the Clones)

Star Wars: Episode I – The Phantom Menace showcases a wide range of creatures to highlight the diversity of the galaxy across different planets.

On Naboo, amphibious beings like the Gungans (including Jar Jar Binks) and large underwater predators (Opee Sea Killer, Sando Aqua Monster) illustrate a layered ecosystem where bigger creatures dominate smaller ones.
On Tatooine, desert-adapted animals such as Banthas and Eopies coexist with dangerous predators, reflecting a harsh survival environment. Characters like Watto and Sebulba add to the planet’s alien diversity.
On Coruscant, numerous alien species appear in the Galactic Senate, emphasizing political and cultural diversity across the galaxy.

Overall, the film uses creatures to reinforce world-building: each planet has its own ecosystem, species, and visual identity, contributing to the sense of a vast and varied universe.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars Archives Episodes I, II, III - Creating The Creatures (Episode I - The Phantom Menace)

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