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Star Wars: Empire Issue #17

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Star Wars: Empire Issue #17

Diego enero 16, 2019 1 minuto de lectura

Star Wars: Empire

There is a plot against the Emperor and Darth Vader and the appearance of a mysterious Jedi and threats from within make their hold on the galaxy a fragile one.

Star Wars: Empire Issue #17 1

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Star Wars Fact File #85 #starwars #starwarsfan #s

Star Wars Fact File #85

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #85 #starwars #starwarsfan #s

Star Wars Fact File #85

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #85 #starwars #starwarsfan #s

Star Wars Fact File #85

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #85 #starwars #starwarsfan #s

Star Wars Fact File #85

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #85 #starwars #starwarsfan #s

Star Wars Fact File #85

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #85 #starwars #starwarsfan #s

Star Wars Fact File #85

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #85 #starwars #starwarsfan #s

Star Wars Fact File #85

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #85 #starwars #starwarsfan #s

Star Wars Fact File #85

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

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Star Wars: Empire at War (often called EaW) is a real-time strategy (RTS) game released in 2006 by Petroglyph Games and LucasArts. It's set during the Galactic Civil War (between Episode III and IV), letting you command massive fleets and armies across the galaxy as the Rebel Alliance, Galactic Empire, or (with the expansion) the criminal Zann Consortium.

Core Gameplay:

Galactic Conquest Mode: Strategic layer where you conquer planets, build economies, research tech, and manage fleets across a galactic map.

Tactical Battles: Real-time fights on the ground (with infantry, vehicles, heroes like Darth Vader or Luke Skywalker) and in space (capital ships, starfighters, boarding actions).

Key features include hero units, special abilities, planet bonuses, and epic moments like calling in the Death Star.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: Empire at War (often called EaW) is a real-time strategy (RTS) game released in 2006 by Petroglyph Games and LucasArts. It's set during the Galactic Civil War (between Episode III and IV), letting you command massive fleets and armies across the galaxy as the Rebel Alliance, Galactic Empire, or (with the expansion) the criminal Zann Consortium.

Core Gameplay:

Galactic Conquest Mode: Strategic layer where you conquer planets, build economies, research tech, and manage fleets across a galactic map.

Tactical Battles: Real-time fights on the ground (with infantry, vehicles, heroes like Darth Vader or Luke Skywalker) and in space (capital ships, starfighters, boarding actions).

Key features include hero units, special abilities, planet bonuses, and epic moments like calling in the Death Star.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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https://paypal.me/starwarslatinamerica

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Star Wars: Empire at War Trailer

"Battle of the Heroes" is the iconic orchestral track by John Williams (with the London Symphony Orchestra) from the Star Wars: Episode III – Revenge of the Sith soundtrack. It plays during the climactic lightsaber duel between Obi-Wan Kenobi and Anakin Skywalker on Mustafar.

It's one of Williams' most powerful pieces, blending tragedy, heroism, and intensity—often praised as a standout in the Star Wars saga.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Battle of the Heroes" - Star Wars Episode III Revenge of the Sith.

Star Wars: Episode III – Revenge of the Sith (2005) Final Trailer refers to the main theatrical trailer (often called Trailer 2 or the Release Trailer), which premiered in theaters on March 11, 2005 (attached to Robots), and went online shortly after.

It is widely regarded by fans as one of the best (and most spoiler-heavy) Star Wars trailers ever made. It features intense editing, and heavily foreshadows the film's tragic plot, including Anakin Skywalker's fall to the dark side and the rise of Darth Vader. The score mixes John Williams' new Battle of the Heroes motif with classic themes, creating a haunting, epic tone.

Political Intrigue & Tension: Quick cuts of dialogue-heavy scenes show the Jedi Council's distrust of Anakin/Palpatine, Anakin's appointment to the Council (but denied Master rank), Obi-Wan’s concerns, and rising tensions. Lines like "We are at war, Anakin," "That's treason," and "I need your help, son" highlight the manipulation and division.

Action Montage: Fast-paced clips of epic battles, lightsaber fights, space combat, clone troopers, droids, and key locations (including Mustafar's volcanic landscapes). It shows Obi-Wan, Yoda, Padmé, and others in high-stakes moments.

Dark Turn & Climax: Escalates with Order 66 implications ("Every single Jedi is now an enemy of the Republic... Show no mercy"), Anakin's corruption ("Twisted by the dark side, young Skywalker has become"), emotional beats with Padmé ("I feel so helpless"), and the iconic Obi-Wan/Anakin confrontation ("You were the chosen one!").

Vader Reveal: Iconic shots of Anakin's transformation into Darth Vader, including the suit-up/rebirth sequence on the operating table with Vader breathing and Palpatine’s "Rise, Lord Vader."

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: Episode III – Revenge of the Sith (2005) Final Trailer

Political scenes / Seeds of Rebellion: Senators (Padmé, Bail Organa, Mon Mothma, others) discuss forming a group (the Delegation of 2,000) to oppose Palpatine's growing power. Includes talks about changes to the constitution and Palpatine taking control of the Jedi Council. Helps set up the Rebellion's origins.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Political scenes / Seeds of Rebellion- (Revenge of the Sith Deleted Scene)

Grievous kills Shaak Ti (early in the Battle of Coruscant): Obi-Wan and Anakin witness Grievous stabbing Shaak Ti. (There was also an alternate where Anakin kills her in the Jedi Temple after turning.) This was cut partly because Shaak Ti's death was handled differently in other media.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Grievous kills Shaak Ti (Revenge of the Sith Deleted Scene)

It’s more of a character/thematic analysis than pure behind-the-scenes footage, emphasizing how Anakin’s story fulfills (or subverts) the Jedi prophecy of bringing balance to the Force.

Quick Summary:

Focus: Explores the prophecy of Anakin Skywalker as the Chosen One, his tragic fall to the dark side, transformation into Darth Vader, and how this ties the entire saga together. It includes discussions on themes of destiny, consequences, redemption, and the emotional arc across the prequels and original trilogy.

Key People: Features George Lucas, Hayden Christensen, Ewan McGregor, Ian McDiarmid, and crew members reflecting on Anakin's journey, the prophecy, and the narrative payoff in Revenge of the Sith.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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The Chosen One - - (Revenge of the Sith Documentary)

It highlights that while the prequels are heavy on visual effects, the core lightsaber fights were performed physically by the actors (with doubles for the most dangerous bits), building on the choreography established in earlier films.

Quick Summary:

Focus: Behind-the-scenes look at the practical stunt work and lightsaber fight choreography for Revenge of the Sith, emphasizing how much of the action (especially the duels) was done "for real" with actors and stunt performers rather than relying entirely on CGI.

Key People: Features stunt coordinator/fight choreographer Nick Gillard, Ewan McGregor, Hayden Christensen, George Lucas, Ben Burtt, and others discussing training, wire work, safety, and the intense rehearsal process for sequences like the Obi-Wan vs. Anakin Mustafar duel.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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It's All for Real: The Stunts of Episode III - (Revenge of the Sith Documentary)

It takes a unique approach: instead of covering the whole film, it zooms in on one short scene (scene #158, the early part of the Anakin vs. Obi-Wan lightsaber duel on Mustafar) — roughly under a minute of final screen time — and shows the massive collaborative effort across dozens of departments needed to create it.

Key Highlights:

Hosted/narrated by producer Rick McCallum, with input from George Lucas and many crew members.
It uses a "family tree" structure to map out how every role contributes to the final product (script → art → previs → sets → costumes → stunts → VFX → etc.).
Emphasizes the sheer scale of work: green-screen filming, practical effects, digital lava environments, choreography for the duel, ILM's visual effects (every shot in the film had effects; the duel was especially complex), and more.
It’s a love letter to the crew, giving credit to hundreds of people who worked on the prequels' finale.

The idea was to illustrate how much hidden labor goes into even a brief, high-impact moment in a big blockbuster. Critics and fans note it’s very detailed (sometimes dry or overly comprehensive) but impressive for showing the full pipeline of modern filmmaking, especially the heavy use of digital effects in the prequels.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Within a Minute: The Making of Episode III" - (Revenge of the Sith Documentary)

"Becoming Sidious" is a short web documentary (also called a webisode) from the bonus features of Star Wars: Episode III – Revenge of the Sith (2005).

It focuses on Ian McDiarmid's portrayal of Chancellor Palpatine / Darth Sidious, covering his transformation from the seemingly benign politician to the grotesque Sith Lord. It includes behind-the-scenes footage of makeup/prosthetics, McDiarmid's insights on the character, his performance (including the voice and mannerisms), and scenes from the film like the Senate confrontation and lightsaber duel with Mace Windu.

McDiarmid is widely praised for this role across the saga — many fans and commentators call his performance one of the highlights (or the highlight) of the prequels. In interviews, he’s spoken about developing the voice, the fun of playing the ultimate schemer, and even a planned (but canceled) Palpatine backstory series.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Becoming Sidious (Ian McDiarmid) - (Revenge of the Sith Documentary)

"Endlessly Compelling: The Music of Episode III" (also called "Endlessly Compelling: The Music of Episode III") is a short official web documentary (webisode) from the Star Wars: Episode III – Revenge of the Sith promotional campaign.

It focuses on John Williams’ score for the film, highlighting how he combined and twisted established themes from the earlier Star Wars films with new material to create an emotional arc toward the dark side. It features insights into the composing and recording process with the London Symphony Orchestra and London Voices.

It’s part of a larger series of making-of webdocs for Revenge of the Sith. Fans of film scoring, John Williams, or the prequels often praise it for its focus on the music’s narrative role. If you’re looking for the full soundtrack, John Williams’ Revenge of the Sith album is excellent and includes highlights like "Battle of the Heroes," "Anakin’s Betrayal," and "The Immolation Scene."

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Endlessly Compelling: The Music of Episode III - (Revenge of the Sith Documentary)

"The Creatures of Episode III" is a short official web documentary (webdoc) from the Star Wars: Episode III – Revenge of the Sith (2005) promotional and bonus features campaign.

Focus: It takes viewers inside the Creature Shop (primarily the team led by Dave Elsey and others at the Australian Creature Shop) to show how practical creatures, masks, prosthetics, and alien designs were created for the film.

Key species highlighted include Utapauns (like Tion Medon), Neimoidians, and various background aliens and creatures seen in scenes like the Galactic Senate, the Opera House, or battle sequences.

It emphasizes the blend of practical effects (sculpting, molding, painting, suits, and animatronics) with digital enhancements, continuing the Star Wars tradition of tangible creature work even in the prequel era.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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The Creatures of Episode III - (Revenge of the Sith Documentary)

"B-107: The Life of an HD Tape" (also referred to as "The Life of an HD Take") is a short web documentary/webisode from the official Star Wars: Episode III – Revenge of the Sith production featurettes.

Focus of B-107:
This particular episode dives into the technical side of filming — specifically the use of high-definition (HD) digital tape during production. Revenge of the Sith was notable for being one of the early major films to shoot primarily with high-definition digital cameras (24p HD video process) instead of traditional film. The doc likely covers:

How the HD tapes were handled.
The workflow advantages (faster dailies, etc.).
Behind-the-scenes footage of the production pipeline for this groundbreaking (at the time) format.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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B-107: The Life of an HD Tape - (Revenge of the Sith Documentary)

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