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Star Wars: Dark Times

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Star Wars: Dark Times

Diego diciembre 24, 2018 1 minuto de lectura

Star Wars: Dark Times

Issue #8 – Parallels, Part 3

Star Wars: Dark Times 1

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Star Wars Fact File #87 #starwars #starwarsfan #s

Star Wars Fact File #87

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #87 #starwars #starwarsfan #s

Star Wars Fact File #87

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #87 #starwars #starwarsfan #s

Star Wars Fact File #87

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #87 #starwars #starwarsfan #s

Star Wars Fact File #87

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #88 #starwars #starwarsfan #s

Star Wars Fact File #88

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #86 #starwars #starwarsfan #s

Star Wars Fact File #86

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #86 #starwars #starwarsfan #s

Star Wars Fact File #86

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #86 #starwars #starwarsfan #s

Star Wars Fact File #86

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

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"Starkiller VS General Kota” - Star Wars: The Force Unleashed – Ultimate Sith Edition

The Canon Encounter (The Force Unleashed)
Darth Vader sends his secret apprentice, Starkiller, to eliminate Jedi Master Rahm Kota at a TIE fighter construction facility above Nar Shaddaa. Kota is a battle-hardened Jedi General and veteran of the Clone Wars who survived Order 66 by refusing to use clone troopers (he preferred his own militia). He expects Vader himself and is initially dismissive of “a boy.”
The duel plays out in the facility’s command center:

Kota is skilled, durable, and uses the Force cleverly (he even detaches the entire observation chamber so it freefalls toward the planet).
Starkiller overwhelms him with raw power, lightsaber skill, and Force abilities (including Force lightning that Kota struggles to deflect).
In a blade lock, Kota receives a Force vision of their intertwined futures and is briefly stunned by seeing himself in Starkiller’s destiny.
Starkiller capitalizes, forcing Kota’s own lightsaber into his eyes (blinding him), then throws him out a viewport. Kota survives the fall but is left broken, depressed, and alcoholic afterward.

Starkiller takes Kota’s lightsaber as a trophy and presents it to Vader.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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The Canon Encounter (The Force Unleashed)
Darth Vader sends his secret apprentice, Starkiller, to eliminate Jedi Master Rahm Kota at a TIE fighter construction facility above Nar Shaddaa. Kota is a battle-hardened Jedi General and veteran of the Clone Wars who survived Order 66 by refusing to use clone troopers (he preferred his own militia). He expects Vader himself and is initially dismissive of “a boy.”
The duel plays out in the facility’s command center:

Kota is skilled, durable, and uses the Force cleverly (he even detaches the entire observation chamber so it freefalls toward the planet).
Starkiller overwhelms him with raw power, lightsaber skill, and Force abilities (including Force lightning that Kota struggles to deflect).
In a blade lock, Kota receives a Force vision of their intertwined futures and is briefly stunned by seeing himself in Starkiller’s destiny.
Starkiller capitalizes, forcing Kota’s own lightsaber into his eyes (blinding him), then throws him out a viewport. Kota survives the fall but is left broken, depressed, and alcoholic afterward.

Starkiller takes Kota’s lightsaber as a trophy and presents it to Vader.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Starkiller VS General Kota” - Star Wars: The Force Unleashed – Ultimate Sith Edition

“Jedi Hunters” - Star Wars: The Force Unleashed – Ultimate Sith Edition This short scene (roughly 1:45) bridges the introduction of Starkiller’s mission and the start of the first level:

On the Rogue Shadow, PROXY briefs Starkiller on General Rahm Kota:
Kota was a respected Clone Wars general.
He refused to use clone troopers and relied on his own militia, which is why he survived Order 66.
Official Imperial records list him as dead, but he has now come out of hiding to attack a critical Imperial shipyard.

Starkiller and PROXY discuss the situation. PROXY notes that Kota wants to be found (implying a trap). Starkiller is unconcerned.
Juno Eclipse comments on how many pilots Starkiller has already gone through (seven before her).
The ship jumps to lightspeed toward the target.
The scene cuts to General Kota on the shipyard itself. He is preparing for the coming attack — locking down the command center, activating a hologram projector, ordering his men into position, and setting explosive charges on multiple levels. He has deliberately drawn Imperial forces (and Vader’s secret apprentice) into his trap.

This cutscene sets up the first full mission: infiltrating the TIE fighter construction facility / shipyard and hunting Kota.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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“Jedi Hunters” - Star Wars: The Force Unleashed – Ultimate Sith Edition

“A secret apprentice” - Star Wars: The Force Unleashed – Ultimate Sith Edition, it picks up right after the prologue (Kashyyyk / young Galen Marek being taken by Vader) and jumps forward many years:

Adult Starkiller (the Secret Apprentice) kneels before Darth Vader.
Vader declares that the dark side is now his ally and formally acknowledges him:
“Rise, my Apprentice.”
Vader gives him his first true test: hunt down and kill the Jedi General Rahm Kota, who is attacking a critical Imperial shipyard, and bring back Kota’s lightsaber.
Vader stresses absolute secrecy — the Emperor must never discover the apprentice exists. Starkiller is ordered to leave no witnesses (kill both Kota’s forces and any Imperials present).
The scene then shifts to the Rogue Shadow:
PROXY ambushes Starkiller using an old Obi-Wan Kenobi training program.
Captain Juno Eclipse is introduced as the new pilot assigned by Vader.
Brief dialogue establishes her background and the start of the mission to the shipyard (Nar Shaddaa area).

This is the cutscene that properly launches the main story and establishes Starkiller’s role as Vader’s secret weapon.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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“A secret apprentice” - Star Wars: The Force Unleashed – Ultimate Sith Edition

Star Wars: The Force Unleashed – Ultimate Sith Edition (2009)
A complete re-release / special edition of the original 2008 game Star Wars: The Force Unleashed. It bundles the full main campaign with all previously released DLC plus exclusive new content centered on a dark-side “What if?” storyline.

What’s Included

Full original campaign (Galen Marek / Starkiller as Darth Vader’s secret apprentice)
Jedi Temple mission (originally DLC)
Two exclusive new missions starring Lord Starkiller (the fully corrupted dark-side version of Starkiller):

Tatooine – “A Fragile Hope”
Starkiller hunts the Death Star plans, fights through Jabba’s Palace (including the rancor and Boba Fett), and duels Obi-Wan Kenobi at Docking Bay 94.

Hoth – “Wrath of the Empire”
Starkiller leads the assault on Echo Base and confronts Luke Skywalker in a dark alternate timeline.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: The Force Unleashed – Ultimate Sith Edition Intro Video

This ~5:43 short behind-the-scenes featurette highlights the massive scale of the art and design departments for the film, emphasizing how Revenge of the Sith continued to expand the visual scope of the Star Wars galaxy with new planets, sets, vehicles, and environments.

Key Highlights

Art Department Workflow: It shows the split between the conceptual art team (at Skywalker Ranch, working closely with George Lucas) and the on-the-ground filmmaking art department in Australia. Frequent video conferences kept everything aligned.

Design Process: Covers set elevations, prop making, costumes, creature design, and construction. It captures the early stages where teams were building sets, props (like blasters), and environments while the script was still evolving.

Expanding the Universe: Focuses on creating new or enhanced locations (e.g., Padmé’s veranda, Mustafar, Kashyyyk/Wookiee elements) and how the designs built on previous films while pushing the epic scale—new vehicles, architecture, and details to make the prequel trilogy feel grand and cohesive.

Team Insights: Features comments from production designer Gavin Bocquet, concept artists, prop makers, and others on the collaborative, fast-paced process of turning Lucas’s vision into physical (and digital) reality.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Epic Designs for an Expanding Universe" - (Revenge of the Sith Documentary)

The galaxy is on the brink of darkness.
The evil Galactic Empire has overthrown the Old Republic and now holds countless worlds in the grip of fear.
The Jedi Knights have been all but destroyed. Only a handful have escaped Imperial forces, disappearing into hiding across the galaxy.
The Emperor’s spies have located a lone Jedi on the Wookiee homeworld of Kashyyyk.
The Sith Lord Darth Vader has been dispatched to destroy him…

Mission Summary / Video Description
The first mission is a prologue level set during the Imperial invasion of Kashyyyk. You play as Darth Vader (fully powered) rather than Starkiller.
Key events shown in the video/cutscenes and gameplay:

Imperial forces (Star Destroyers, dropships, stormtroopers) launch a full-scale assault on the Wookiee homeworld.
Vader lands and cuts a path through dense forests and Wookiee warriors using his lightsaber, Force choke, Force push, and other powers.
He fights through groups of Wookiees defending their villages and tree-top settlements.
Vader reaches a small hut and confronts the rogue Jedi Kento Marek.
A brief lightsaber duel ensues. Vader easily overpowers and Force-chokes Kento to death.
During the fight, Vader senses a powerful Force presence nearby — Kento’s young son, Galen Marek.
Imperial officers and stormtroopers move to kill the boy. Vader kills them instead to protect the child.
Vader takes the boy as his secret apprentice. The child is later given the codename Starkiller.

The level serves as both a tutorial for Force powers and the origin story of the game’s protagonist. After this prologue, the story jumps forward several years and you take control of the adult Starkiller for the main campaign.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: The Force Unleashed – Ultimate Sith Edition Opening Crawl

"Video Village" is Episode 6 of the Star Wars: Episode III – Revenge of the Sith Web Documentaries (2005).

Key Highlights from the Documentary

Digital Monitoring Advances: It discusses how the production used HD digital cameras with high-resolution plasma screens and monitors scattered around the set. This allowed George Lucas and the crew (including director of photography David Tattersall) to see shots in real-time and full color, unlike traditional film video taps (which were often small and black-and-white).

Benefits: Easier to check framing, details, cosmetics (e.g., reflections on C-3PO or R2-D2), and overall composition. They often shot with multiple cameras.

George Lucas's Approach: Lucas would watch from the Video Village "theater" area but would step out to the camera for crucial actor moments to connect directly with performances.

Interviews/Commentary: Features insights from Lucas, crew members, and others on the transition to digital tech, the "cutting edge" feel, and how it improved accuracy compared to shooting "blind" on film.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Video Village"- (Revenge of the Sith Documentary)

Overview
It explores the creation and significance of weapons in the Star Wars universe, with a strong focus on lightsabers (the elegant weapon for a more civilized age) and other props. It ties directly into Obi-Wan’s iconic line to Anakin in Attack of the Clones: “This weapon is your life.”
Key Content

George Lucas on Weapons: Lucas discusses how each culture in the galaxy has signature weapons reflecting their ideology. Drama requires conflict and violence, so the films feature a wide variety of arms. He explains designing the electrostaffs for General Grievous’s MagnaGuards—energy weapons that lightsabers can’t cut through (like Superman needing kryptonite).

Prop Creation Process: Features the prop department (including Ty Teiger) showing the workflow: concept sketches → 3D mockups → final props. They built everything in-house for secrecy. Highlights include blasters scaled for large alien hands and detailed sculpting for organic/mechanical looks.

Lightsaber Props:
Hero and stunt versions (including rubberized chrome stunt sabers for fights).
Connections to the original trilogy: Obi-Wan’s saber (Alec Guinness), Anakin/Luke’s, and Darth Vader’s.
George Lucas casually handling props and joking about “getting rid of” Anakin’s saber to link to A New Hope.

Practical Effects & Stunts: Coverage of fight choreography needs, Ewan McGregor’s preferences for his saber, and how props support the action (e.g., Grievous’s bodyguards).

The featurette blends interviews, behind-the-scenes footage of prop-making, and Lucas’s commentary. It emphasizes how weapons enhance storytelling and continuity across the saga.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"This Weapon Is Your Life" - (Revenge of the Sith Documentary)

The piece focuses on the concept art and early design phase for General Grievous in the art department at Lucasfilm. Key participants include concept artists like Warren Fu and Ian McCaig, with input from George Lucas.

George Lucas’s Vision: Lucas wanted a new iconic villain as the leader of the Separatist droid armies—a cyborg/alien in a droid shell. This design foreshadows Anakin Skywalker’s transformation into Darth Vader (an “echo” of organic being turned mechanical). He emphasized making the character scary, capable of dialogue, and not a Sith. Lucas encouraged the team to draw from their worst nightmares.

Design Process: The art department operated like a “jazz band ensemble,” with artists pitching ideas collaboratively. Multiple concepts were presented in meetings (some more mechanical, devilish, or even a small child on a hoverchair guarded by droids—quickly rejected for not being threatening enough).

Warren Fu’s Winning Sketch: At the last minute, Fu finished marker-ing up a sketch he had started earlier. Lucas immediately picked it during a review, loving the “human/animal eyes” that would show whites and convey an organic (ugly) interior beneath the droid exterior. This became the foundation for the final design.

Challenges: Artists avoided making Grievous too much like Darth Vader. The final look blended alien organic elements with heavy robotics, including four arms for multi-lightsaber combat.

The featurette includes behind-the-scenes footage of concept art presentations, artist interviews, and Lucas’s comments.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Creating General Grievous" - (Revenge of the Sith Documentary)

"One World, Two Movies" is the exact title of the second web documentary in the official Making of Star Wars: Episode III – Revenge of the Sith series (often paired with the first one, "Two Worlds, One Movie").

What it's about:

It continues the story from the first webisode, focusing on George Lucas arriving in Sydney (Australia) and the shift from remote teleconferencing between the two production hubs (Australia for principal photography/live-action and the US/ILM for visual effects) to on-site collaboration.

It shows how the "two worlds" (or two movies in production) came together into one cohesive film, covering pre-production pace, set building, and the global team effort.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"One World, Two Movies" - (Revenge of the Sith Documentary)

The exact title of that short documentary-style piece is "Star Wars Episode III: We Still Do A Little Bit" (sometimes referred to as a webisode in the Making of Revenge of the Sith series). It highlights the practical, in-camera special effects work alongside the heavy CGI.

Key highlights from it:

It shows the team using practical methods for things like wire work, actors performing in water (to capture realistic performances and interactions that would be costly/less convincing digitally), gimbals for ship movements, steam jets, and more.
A key line near the end (around 5:22) is: "And they think that ILM does everything. We still do a little bit..." — emphasizing that even with advanced digital tools, they relied on old-fashioned practical effects.
It features stunt work, set pieces, and George Lucas-era filmmaking blending physical and digital techniques.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"We Still Do a Little Bit , Special effects, the old fashion way - (Revenge of the Sith Documentary)

"Two Worlds, One Movie" is the first webisode (short behind-the-scenes documentary) in the official Making of Star Wars: Episode III – Revenge of the Sith series.

It introduces the dual-location production of Revenge of the Sith:

Filming split between Australia (Sydney’s Fox Studios for many live-action sets and studio work) and the United States (primarily ILM in California for visual effects and additional filming).

It highlights how George Lucas and the team managed a global production, bridging the two "worlds" into one cohesive movie.

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"Two Worlds, One Movie"- (Revenge of the Sith Documentary)

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