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Star Wars – Sana Starros 003 (2023)

COMICS

Star Wars – Sana Starros 003 (2023)

Diego septiembre 13, 2023 1 minuto de lectura

Star Wars - Sana Starros

Sana Starros 3 is the third issue of the canon comic miniseries Star Wars: Sana Starros. The issue was written by Justina Ireland, illustrated by Pere Pérez, and published by Marvel Comics on April 19, 2023.

Star Wars - Sana Starros

Star Wars - Sana Starros

Star Wars - Sana Starros

Star Wars - Sana Starros

Star Wars - Sana Starros

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Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

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Grievous kills Shaak Ti (early in the Battle of Coruscant): Obi-Wan and Anakin witness Grievous stabbing Shaak Ti. (There was also an alternate where Anakin kills her in the Jedi Temple after turning.) This was cut partly because Shaak Ti's death was handled differently in other media.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Grievous kills Shaak Ti (early in the Battle of Coruscant): Obi-Wan and Anakin witness Grievous stabbing Shaak Ti. (There was also an alternate where Anakin kills her in the Jedi Temple after turning.) This was cut partly because Shaak Ti's death was handled differently in other media.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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If you like to buy us some coffee.
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Grievous kills Shaak Ti (Revenge of the Sith Deleted Scene)

It’s more of a character/thematic analysis than pure behind-the-scenes footage, emphasizing how Anakin’s story fulfills (or subverts) the Jedi prophecy of bringing balance to the Force.

Quick Summary:

Focus: Explores the prophecy of Anakin Skywalker as the Chosen One, his tragic fall to the dark side, transformation into Darth Vader, and how this ties the entire saga together. It includes discussions on themes of destiny, consequences, redemption, and the emotional arc across the prequels and original trilogy.

Key People: Features George Lucas, Hayden Christensen, Ewan McGregor, Ian McDiarmid, and crew members reflecting on Anakin's journey, the prophecy, and the narrative payoff in Revenge of the Sith.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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The Chosen One - - (Revenge of the Sith Documentary)

It highlights that while the prequels are heavy on visual effects, the core lightsaber fights were performed physically by the actors (with doubles for the most dangerous bits), building on the choreography established in earlier films.

Quick Summary:

Focus: Behind-the-scenes look at the practical stunt work and lightsaber fight choreography for Revenge of the Sith, emphasizing how much of the action (especially the duels) was done "for real" with actors and stunt performers rather than relying entirely on CGI.

Key People: Features stunt coordinator/fight choreographer Nick Gillard, Ewan McGregor, Hayden Christensen, George Lucas, Ben Burtt, and others discussing training, wire work, safety, and the intense rehearsal process for sequences like the Obi-Wan vs. Anakin Mustafar duel.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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It's All for Real: The Stunts of Episode III - (Revenge of the Sith Documentary)

It takes a unique approach: instead of covering the whole film, it zooms in on one short scene (scene #158, the early part of the Anakin vs. Obi-Wan lightsaber duel on Mustafar) — roughly under a minute of final screen time — and shows the massive collaborative effort across dozens of departments needed to create it.

Key Highlights:

Hosted/narrated by producer Rick McCallum, with input from George Lucas and many crew members.
It uses a "family tree" structure to map out how every role contributes to the final product (script → art → previs → sets → costumes → stunts → VFX → etc.).
Emphasizes the sheer scale of work: green-screen filming, practical effects, digital lava environments, choreography for the duel, ILM's visual effects (every shot in the film had effects; the duel was especially complex), and more.
It’s a love letter to the crew, giving credit to hundreds of people who worked on the prequels' finale.

The idea was to illustrate how much hidden labor goes into even a brief, high-impact moment in a big blockbuster. Critics and fans note it’s very detailed (sometimes dry or overly comprehensive) but impressive for showing the full pipeline of modern filmmaking, especially the heavy use of digital effects in the prequels.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Within a Minute: The Making of Episode III" - (Revenge of the Sith Documentary)

"Becoming Sidious" is a short web documentary (also called a webisode) from the bonus features of Star Wars: Episode III – Revenge of the Sith (2005).

It focuses on Ian McDiarmid's portrayal of Chancellor Palpatine / Darth Sidious, covering his transformation from the seemingly benign politician to the grotesque Sith Lord. It includes behind-the-scenes footage of makeup/prosthetics, McDiarmid's insights on the character, his performance (including the voice and mannerisms), and scenes from the film like the Senate confrontation and lightsaber duel with Mace Windu.

McDiarmid is widely praised for this role across the saga — many fans and commentators call his performance one of the highlights (or the highlight) of the prequels. In interviews, he’s spoken about developing the voice, the fun of playing the ultimate schemer, and even a planned (but canceled) Palpatine backstory series.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Becoming Sidious (Ian McDiarmid) - (Revenge of the Sith Documentary)

"Endlessly Compelling: The Music of Episode III" (also called "Endlessly Compelling: The Music of Episode III") is a short official web documentary (webisode) from the Star Wars: Episode III – Revenge of the Sith promotional campaign.

It focuses on John Williams’ score for the film, highlighting how he combined and twisted established themes from the earlier Star Wars films with new material to create an emotional arc toward the dark side. It features insights into the composing and recording process with the London Symphony Orchestra and London Voices.

It’s part of a larger series of making-of webdocs for Revenge of the Sith. Fans of film scoring, John Williams, or the prequels often praise it for its focus on the music’s narrative role. If you’re looking for the full soundtrack, John Williams’ Revenge of the Sith album is excellent and includes highlights like "Battle of the Heroes," "Anakin’s Betrayal," and "The Immolation Scene."

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Endlessly Compelling: The Music of Episode III - (Revenge of the Sith Documentary)

"The Creatures of Episode III" is a short official web documentary (webdoc) from the Star Wars: Episode III – Revenge of the Sith (2005) promotional and bonus features campaign.

Focus: It takes viewers inside the Creature Shop (primarily the team led by Dave Elsey and others at the Australian Creature Shop) to show how practical creatures, masks, prosthetics, and alien designs were created for the film.

Key species highlighted include Utapauns (like Tion Medon), Neimoidians, and various background aliens and creatures seen in scenes like the Galactic Senate, the Opera House, or battle sequences.

It emphasizes the blend of practical effects (sculpting, molding, painting, suits, and animatronics) with digital enhancements, continuing the Star Wars tradition of tangible creature work even in the prequel era.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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The Creatures of Episode III - (Revenge of the Sith Documentary)

"B-107: The Life of an HD Tape" (also referred to as "The Life of an HD Take") is a short web documentary/webisode from the official Star Wars: Episode III – Revenge of the Sith production featurettes.

Focus of B-107:
This particular episode dives into the technical side of filming — specifically the use of high-definition (HD) digital tape during production. Revenge of the Sith was notable for being one of the early major films to shoot primarily with high-definition digital cameras (24p HD video process) instead of traditional film. The doc likely covers:

How the HD tapes were handled.
The workflow advantages (faster dailies, etc.).
Behind-the-scenes footage of the production pipeline for this groundbreaking (at the time) format.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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B-107: The Life of an HD Tape - (Revenge of the Sith Documentary)

"The Wookies Are Back!" web documentary from the Star Wars: Episode III – Revenge of the Sith making-of features.

It's one of the best short docs from the 2005 movie extras (part of the "Making Episode III" web series). It dives into how they brought Chewbacca and the new Wookiee warriors to life on Kashyyyk — suits, performers, digital enhancements, the whole deal. Super fun behind-the-scenes stuff from the prequel era.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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The Wookies Are Back ! - (Revenge of the Sith Documentary)

"Becoming Obi-Wan" is a behind-the-scenes web documentary/featurette from the production of Star Wars: Episode III – Revenge of the Sith (2005).
It focuses on Ewan McGregor stepping into (and evolving) the role of Obi-Wan Kenobi for the final prequel film.

What it's about

How McGregor prepared to portray a more mature, battle-hardened Obi-Wan (bridging the younger version from The Phantom Menace/Attack of the Clones toward the Alec Guinness version in the original trilogy).
Training, lightsaber work, character development, working with George Lucas, and the physical/acting challenges of the role.
Insights from McGregor, Lucas, producer Rick McCallum, and others on set.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Becoming Obi-Wan - (Revenge of the Sith Documentary)

The "Pickups and Reshoots" webisode/featurette from the Star Wars: Episode III – Revenge of the Sith (2005) making-of materials.

It's one of the official short documentaries (webisodes) produced during/around the film's release, available on the Revenge of the Sith extras.

It covers how additional photography (pickups) and reshoots refined the story after principal photography, a common but crucial part of big-budget filmmaking—especially for George Lucas's prequels with their heavy VFX and evolving edits.

Key Context:

Principal photography for Episode III wrapped after a main shoot in Australia (and other locations), but Lucas planned for additional shooting to fill gaps, improve action, adjust pacing, and respond to the story as it came together in the edit.
Pickups often involved Ewan McGregor, Hayden Christensen, and other actors returning for targeted scenes, inserts, or enhancements to fight choreography and key dramatic moments.
This process helped "pave the way to a great film" by allowing flexibility in a production that mixed practical effects, extensive CGI (e.g., Mustafar, Order 66 sequences), and a complex narrative wrapping up the prequel trilogy.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Pickups and Reshoots - Paving the way to a great film (Revenge of the Sith Documentary)

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