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Star Wars Fact File 114 (De Agostini) (2004)

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Star Wars Fact File 114 (De Agostini) (2004)

Diego mayo 6, 2023 1 minuto de lectura

Star Wars Fact File

The Official Star Wars Fact File 114 is the one hundred fourteenth issue of The Official Star Wars Fact File, released on March 3, 2004.

Star Wars Fact File

Star Wars Fact File

Star Wars Fact File

Star Wars Fact File

Star Wars Fact File

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Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

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"Becoming Sidious" is a short web documentary (also called a webisode) from the bonus features of Star Wars: Episode III – Revenge of the Sith (2005).

It focuses on Ian McDiarmid's portrayal of Chancellor Palpatine / Darth Sidious, covering his transformation from the seemingly benign politician to the grotesque Sith Lord. It includes behind-the-scenes footage of makeup/prosthetics, McDiarmid's insights on the character, his performance (including the voice and mannerisms), and scenes from the film like the Senate confrontation and lightsaber duel with Mace Windu.

McDiarmid is widely praised for this role across the saga — many fans and commentators call his performance one of the highlights (or the highlight) of the prequels. In interviews, he’s spoken about developing the voice, the fun of playing the ultimate schemer, and even a planned (but canceled) Palpatine backstory series.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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"Becoming Sidious" is a short web documentary (also called a webisode) from the bonus features of Star Wars: Episode III – Revenge of the Sith (2005).

It focuses on Ian McDiarmid's portrayal of Chancellor Palpatine / Darth Sidious, covering his transformation from the seemingly benign politician to the grotesque Sith Lord. It includes behind-the-scenes footage of makeup/prosthetics, McDiarmid's insights on the character, his performance (including the voice and mannerisms), and scenes from the film like the Senate confrontation and lightsaber duel with Mace Windu.

McDiarmid is widely praised for this role across the saga — many fans and commentators call his performance one of the highlights (or the highlight) of the prequels. In interviews, he’s spoken about developing the voice, the fun of playing the ultimate schemer, and even a planned (but canceled) Palpatine backstory series.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

If you like to Donate:
https://paypal.me/starwarslatinamerica

Visit https://starwarslatinamerica.com for more !

#starwars #starwarsfan #starwarsmovie #returnofthejedi #starwarsdisney #starwarsmovie #starwarsedit #disney #darthvader

Becoming Sidious (Ian McDiarmid) - (Revenge of the Sith Documentary)

"Endlessly Compelling: The Music of Episode III" (also called "Endlessly Compelling: The Music of Episode III") is a short official web documentary (webisode) from the Star Wars: Episode III – Revenge of the Sith promotional campaign.

It focuses on John Williams’ score for the film, highlighting how he combined and twisted established themes from the earlier Star Wars films with new material to create an emotional arc toward the dark side. It features insights into the composing and recording process with the London Symphony Orchestra and London Voices.

It’s part of a larger series of making-of webdocs for Revenge of the Sith. Fans of film scoring, John Williams, or the prequels often praise it for its focus on the music’s narrative role. If you’re looking for the full soundtrack, John Williams’ Revenge of the Sith album is excellent and includes highlights like "Battle of the Heroes," "Anakin’s Betrayal," and "The Immolation Scene."

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

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https://paypal.me/starwarslatinamerica

Visit https://starwarslatinamerica.com for more !

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Endlessly Compelling: The Music of Episode III - (Revenge of the Sith Documentary)

"The Creatures of Episode III" is a short official web documentary (webdoc) from the Star Wars: Episode III – Revenge of the Sith (2005) promotional and bonus features campaign.

Focus: It takes viewers inside the Creature Shop (primarily the team led by Dave Elsey and others at the Australian Creature Shop) to show how practical creatures, masks, prosthetics, and alien designs were created for the film.

Key species highlighted include Utapauns (like Tion Medon), Neimoidians, and various background aliens and creatures seen in scenes like the Galactic Senate, the Opera House, or battle sequences.

It emphasizes the blend of practical effects (sculpting, molding, painting, suits, and animatronics) with digital enhancements, continuing the Star Wars tradition of tangible creature work even in the prequel era.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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The Creatures of Episode III - (Revenge of the Sith Documentary)

"B-107: The Life of an HD Tape" (also referred to as "The Life of an HD Take") is a short web documentary/webisode from the official Star Wars: Episode III – Revenge of the Sith production featurettes.

Focus of B-107:
This particular episode dives into the technical side of filming — specifically the use of high-definition (HD) digital tape during production. Revenge of the Sith was notable for being one of the early major films to shoot primarily with high-definition digital cameras (24p HD video process) instead of traditional film. The doc likely covers:

How the HD tapes were handled.
The workflow advantages (faster dailies, etc.).
Behind-the-scenes footage of the production pipeline for this groundbreaking (at the time) format.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

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B-107: The Life of an HD Tape - (Revenge of the Sith Documentary)

"The Wookies Are Back!" web documentary from the Star Wars: Episode III – Revenge of the Sith making-of features.

It's one of the best short docs from the 2005 movie extras (part of the "Making Episode III" web series). It dives into how they brought Chewbacca and the new Wookiee warriors to life on Kashyyyk — suits, performers, digital enhancements, the whole deal. Super fun behind-the-scenes stuff from the prequel era.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

If you like to Donate:
https://paypal.me/starwarslatinamerica

Visit https://starwarslatinamerica.com for more !

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The Wookies Are Back ! - (Revenge of the Sith Documentary)

"Becoming Obi-Wan" is a behind-the-scenes web documentary/featurette from the production of Star Wars: Episode III – Revenge of the Sith (2005).
It focuses on Ewan McGregor stepping into (and evolving) the role of Obi-Wan Kenobi for the final prequel film.

What it's about

How McGregor prepared to portray a more mature, battle-hardened Obi-Wan (bridging the younger version from The Phantom Menace/Attack of the Clones toward the Alec Guinness version in the original trilogy).
Training, lightsaber work, character development, working with George Lucas, and the physical/acting challenges of the role.
Insights from McGregor, Lucas, producer Rick McCallum, and others on set.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Becoming Obi-Wan - (Revenge of the Sith Documentary)

The "Pickups and Reshoots" webisode/featurette from the Star Wars: Episode III – Revenge of the Sith (2005) making-of materials.

It's one of the official short documentaries (webisodes) produced during/around the film's release, available on the Revenge of the Sith extras.

It covers how additional photography (pickups) and reshoots refined the story after principal photography, a common but crucial part of big-budget filmmaking—especially for George Lucas's prequels with their heavy VFX and evolving edits.

Key Context:

Principal photography for Episode III wrapped after a main shoot in Australia (and other locations), but Lucas planned for additional shooting to fill gaps, improve action, adjust pacing, and respond to the story as it came together in the edit.
Pickups often involved Ewan McGregor, Hayden Christensen, and other actors returning for targeted scenes, inserts, or enhancements to fight choreography and key dramatic moments.
This process helped "pave the way to a great film" by allowing flexibility in a production that mixed practical effects, extensive CGI (e.g., Mustafar, Order 66 sequences), and a complex narrative wrapping up the prequel trilogy.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Pickups and Reshoots - Paving the way to a great film (Revenge of the Sith Documentary)

Star Wars The Force Unleashed Ultimate Sith Edition

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Star Wars The Force Unleashed Ultimate Sith Edition

Star Wars Saga LatinAmerica Live Stream

Star Wars: The Force Unleashed - Ultimate Sith Edition is the complete, definitive version of the 2008 action-adventure game developed by LucasArts. It was released on November 3, 2009 (North America), for Xbox 360, PlayStation 3, PC (Windows), and later Mac.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars The Force Unleashed Ultimate Sith Edition gameplay.

It's a short making-of/featurette focused on Anthony Daniels and the final chapter of C-3PO’s journey in the prequels.
It covers how they brought the character to life in Revenge of the Sith, including the suit, performance, and tying the prequels back to the original trilogy.
Part of the “Making Episode III” series of webdocs that were included on the DVD.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

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C-3PO: His Moment to Shine (Revenge of the Sith Documentary)

Star Wars: Rebel Assault II: The Hidden Empire (1995 rail shooter by LucasArts) has Chapter 1: The Dreighton Triangle and Chapter 2: The Corellia Star as its opening missions.

Chapter 1: The Dreighton Triangle

Ship: B-wing starfighter.
Objective: Patrol near the Dreighton Nebula (a mysterious region with rumors of "ghost ships" and disappearances) and respond to a distress call.
Gameplay: On-rails space combat. You fly toward a planet while engaging waves of TIE fighters. The B-wing's triple lasers converge on your targeting reticle, making it fairly easy to destroy incoming enemies.

Story: Rookie One and wingman Kirby investigate missing Rebel ships. They receive a distress call from the YT-1300 transport Corellia Star, which carries critical intelligence about an Imperial secret project. After fighting TIEs, an unseen attacker (a cloaked TIE Phantom) destroys Kirby's ship. Rookie One's B-wing is damaged and crashes on the planet Dreighton.

Chapter 2: The Corellia Star

Style: On-foot third-person shooting sequence (rail-style, with limited movement control).
Objective: After the crash, Rookie One must reach the captured Corellia Star on the surface, deal with Imperial forces, and escape with the vital data.
Gameplay: You control Rookie One's firing and ducking/cover actions as he advances. Stormtroopers appear from various directions and positions—knowing their spawn points helps a lot. It can feel tricky on the first playthrough due to the timing and limited control.
Story: Rookie One fights through enemies to board or secure the Corellia Star. The transport's pilot had information about the Empire's new stealth TIE Phantom project (cloaking devices). This leads into the broader plot involving Darth Vader's secret weapon development.

These two chapters set up the game's main conflict: the Empire's development of cloaked TIE Phantoms. The game features full-motion video (FMV) cutscenes with live actors, on-rails shooting in space and on foot, and later missions with different ships like X-wings and Y-wings.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: Rebel Assault II: The Hidden Empire (1995) Chapters I and II Cutscenes

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