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Darth Maul and Obi-Wan Team Up against Anakin (Order 66)

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Darth Maul and Obi-Wan Team Up against Anakin (Order 66)

Diego abril 27, 2020 1 minuto de lectura

Darth Maul and Obi-Wan Team Up against Anakin (Order 66)

Why did Maul want to lure Obi Wan Kenobi to Mandalore, it seems that instead of Ahsoka, Maul wanted to seek out Obi Wan first and offer him a partnership in order to hunt down Vader/Anakin.

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Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

Star Wars Fact File #83 #starwars #starwarsfan #s

Star Wars Fact File #83

#starwars #starwarsfan #starwarsday #starwarsnerd #starwarsedit #starwarsfigures #starwarsart #starwarsfanart #starwarsfans #starwarsdaily #starwarsgeek #starwarscollection #starwarscollector #starwarslife #starwarslove #starwarsland #starwarsmovie #starwarssaga #starwarsartwork #starwarsphotography #starwarscelebration #starwarsnerd #StarWarsDay #laguerradelasgalaxias #starwarsfac

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Vídeo de YouTube VVV2czhnMktCLVo0dG82aHFBSk8xME1BLklxWG1OQUwtalpn

"Endlessly Compelling: The Music of Episode III" (also called "Endlessly Compelling: The Music of Episode III") is a short official web documentary (webisode) from the Star Wars: Episode III – Revenge of the Sith promotional campaign.

It focuses on John Williams’ score for the film, highlighting how he combined and twisted established themes from the earlier Star Wars films with new material to create an emotional arc toward the dark side. It features insights into the composing and recording process with the London Symphony Orchestra and London Voices.

It’s part of a larger series of making-of webdocs for Revenge of the Sith. Fans of film scoring, John Williams, or the prequels often praise it for its focus on the music’s narrative role. If you’re looking for the full soundtrack, John Williams’ Revenge of the Sith album is excellent and includes highlights like "Battle of the Heroes," "Anakin’s Betrayal," and "The Immolation Scene."

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

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#starwars #starwarsfan #starwarsmovie #returnofthejedi #starwarsdisney #starwarsmovie #starwarsedit #disney #darthvader

"Endlessly Compelling: The Music of Episode III" (also called "Endlessly Compelling: The Music of Episode III") is a short official web documentary (webisode) from the Star Wars: Episode III – Revenge of the Sith promotional campaign.

It focuses on John Williams’ score for the film, highlighting how he combined and twisted established themes from the earlier Star Wars films with new material to create an emotional arc toward the dark side. It features insights into the composing and recording process with the London Symphony Orchestra and London Voices.

It’s part of a larger series of making-of webdocs for Revenge of the Sith. Fans of film scoring, John Williams, or the prequels often praise it for its focus on the music’s narrative role. If you’re looking for the full soundtrack, John Williams’ Revenge of the Sith album is excellent and includes highlights like "Battle of the Heroes," "Anakin’s Betrayal," and "The Immolation Scene."

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

If you like to Donate:
https://paypal.me/starwarslatinamerica

Visit https://starwarslatinamerica.com for more !

#starwars #starwarsfan #starwarsmovie #returnofthejedi #starwarsdisney #starwarsmovie #starwarsedit #disney #darthvader

Endlessly Compelling: The Music of Episode III - (Revenge of the Sith Documentary)

"The Creatures of Episode III" is a short official web documentary (webdoc) from the Star Wars: Episode III – Revenge of the Sith (2005) promotional and bonus features campaign.

Focus: It takes viewers inside the Creature Shop (primarily the team led by Dave Elsey and others at the Australian Creature Shop) to show how practical creatures, masks, prosthetics, and alien designs were created for the film.

Key species highlighted include Utapauns (like Tion Medon), Neimoidians, and various background aliens and creatures seen in scenes like the Galactic Senate, the Opera House, or battle sequences.

It emphasizes the blend of practical effects (sculpting, molding, painting, suits, and animatronics) with digital enhancements, continuing the Star Wars tradition of tangible creature work even in the prequel era.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

If you like to Donate:
https://paypal.me/starwarslatinamerica

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The Creatures of Episode III - (Revenge of the Sith Documentary)

"B-107: The Life of an HD Tape" (also referred to as "The Life of an HD Take") is a short web documentary/webisode from the official Star Wars: Episode III – Revenge of the Sith production featurettes.

Focus of B-107:
This particular episode dives into the technical side of filming — specifically the use of high-definition (HD) digital tape during production. Revenge of the Sith was notable for being one of the early major films to shoot primarily with high-definition digital cameras (24p HD video process) instead of traditional film. The doc likely covers:

How the HD tapes were handled.
The workflow advantages (faster dailies, etc.).
Behind-the-scenes footage of the production pipeline for this groundbreaking (at the time) format.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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If you like to Donate:
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B-107: The Life of an HD Tape - (Revenge of the Sith Documentary)

"The Wookies Are Back!" web documentary from the Star Wars: Episode III – Revenge of the Sith making-of features.

It's one of the best short docs from the 2005 movie extras (part of the "Making Episode III" web series). It dives into how they brought Chewbacca and the new Wookiee warriors to life on Kashyyyk — suits, performers, digital enhancements, the whole deal. Super fun behind-the-scenes stuff from the prequel era.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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The Wookies Are Back ! - (Revenge of the Sith Documentary)

"Becoming Obi-Wan" is a behind-the-scenes web documentary/featurette from the production of Star Wars: Episode III – Revenge of the Sith (2005).
It focuses on Ewan McGregor stepping into (and evolving) the role of Obi-Wan Kenobi for the final prequel film.

What it's about

How McGregor prepared to portray a more mature, battle-hardened Obi-Wan (bridging the younger version from The Phantom Menace/Attack of the Clones toward the Alec Guinness version in the original trilogy).
Training, lightsaber work, character development, working with George Lucas, and the physical/acting challenges of the role.
Insights from McGregor, Lucas, producer Rick McCallum, and others on set.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

Email: starwarslatinamerica@gmail.com

If you like to Donate:
https://paypal.me/starwarslatinamerica

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Becoming Obi-Wan - (Revenge of the Sith Documentary)

The "Pickups and Reshoots" webisode/featurette from the Star Wars: Episode III – Revenge of the Sith (2005) making-of materials.

It's one of the official short documentaries (webisodes) produced during/around the film's release, available on the Revenge of the Sith extras.

It covers how additional photography (pickups) and reshoots refined the story after principal photography, a common but crucial part of big-budget filmmaking—especially for George Lucas's prequels with their heavy VFX and evolving edits.

Key Context:

Principal photography for Episode III wrapped after a main shoot in Australia (and other locations), but Lucas planned for additional shooting to fill gaps, improve action, adjust pacing, and respond to the story as it came together in the edit.
Pickups often involved Ewan McGregor, Hayden Christensen, and other actors returning for targeted scenes, inserts, or enhancements to fight choreography and key dramatic moments.
This process helped "pave the way to a great film" by allowing flexibility in a production that mixed practical effects, extensive CGI (e.g., Mustafar, Order 66 sequences), and a complex narrative wrapping up the prequel trilogy.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Pickups and Reshoots - Paving the way to a great film (Revenge of the Sith Documentary)

Star Wars The Force Unleashed Ultimate Sith Edition

Star Wars Saga LatinAmerica Live Stream

Star Wars The Force Unleashed Ultimate Sith Edition

Star Wars Saga LatinAmerica Live Stream

Star Wars: The Force Unleashed - Ultimate Sith Edition is the complete, definitive version of the 2008 action-adventure game developed by LucasArts. It was released on November 3, 2009 (North America), for Xbox 360, PlayStation 3, PC (Windows), and later Mac.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars The Force Unleashed Ultimate Sith Edition gameplay.

It's a short making-of/featurette focused on Anthony Daniels and the final chapter of C-3PO’s journey in the prequels.
It covers how they brought the character to life in Revenge of the Sith, including the suit, performance, and tying the prequels back to the original trilogy.
Part of the “Making Episode III” series of webdocs that were included on the DVD.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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C-3PO: His Moment to Shine (Revenge of the Sith Documentary)

Star Wars: Rebel Assault II: The Hidden Empire (1995 rail shooter by LucasArts) has Chapter 1: The Dreighton Triangle and Chapter 2: The Corellia Star as its opening missions.

Chapter 1: The Dreighton Triangle

Ship: B-wing starfighter.
Objective: Patrol near the Dreighton Nebula (a mysterious region with rumors of "ghost ships" and disappearances) and respond to a distress call.
Gameplay: On-rails space combat. You fly toward a planet while engaging waves of TIE fighters. The B-wing's triple lasers converge on your targeting reticle, making it fairly easy to destroy incoming enemies.

Story: Rookie One and wingman Kirby investigate missing Rebel ships. They receive a distress call from the YT-1300 transport Corellia Star, which carries critical intelligence about an Imperial secret project. After fighting TIEs, an unseen attacker (a cloaked TIE Phantom) destroys Kirby's ship. Rookie One's B-wing is damaged and crashes on the planet Dreighton.

Chapter 2: The Corellia Star

Style: On-foot third-person shooting sequence (rail-style, with limited movement control).
Objective: After the crash, Rookie One must reach the captured Corellia Star on the surface, deal with Imperial forces, and escape with the vital data.
Gameplay: You control Rookie One's firing and ducking/cover actions as he advances. Stormtroopers appear from various directions and positions—knowing their spawn points helps a lot. It can feel tricky on the first playthrough due to the timing and limited control.
Story: Rookie One fights through enemies to board or secure the Corellia Star. The transport's pilot had information about the Empire's new stealth TIE Phantom project (cloaking devices). This leads into the broader plot involving Darth Vader's secret weapon development.

These two chapters set up the game's main conflict: the Empire's development of cloaked TIE Phantoms. The game features full-motion video (FMV) cutscenes with live actors, on-rails shooting in space and on foot, and later missions with different ships like X-wings and Y-wings.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: Rebel Assault II: The Hidden Empire (1995) Chapters I and II Cutscenes

Star Wars: Rebel Assault II: The Hidden Empire is a 1995 rail shooter video game developed and published by LucasArts. It's the sequel to the 1993 game Star Wars: Rebel Assault.

Gameplay
You fly various ships like the YT-1300 transport (Millennium Falcon-style), B-wing, Y-wing, and more across 15 missions mixing space combat, ground/sky runs, and on-foot sections. It emphasizes arcade-style shooting with a Star Wars flavor—dogfighting TIE fighters (including Interceptors), dodging asteroids, attacking capital ships, and more. It uses full-motion video heavily for cinematics and some gameplay segments, with a John Williams-inspired soundtrack and Skywalker Sound effects.
Improvements over the first game included better controls, more variety, and higher production values.

Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended.This is only for entertainment. This belongs to it's respective owners.

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Star Wars: Rebel Assault II: The Hidden Empire (1995) Intro

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